Birds & Trees of N. America Pack A - Screech Owl, Blue Jay, Brewer Sparrow

FIELD NOTES

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The 64th Quarterly Edition is “The Birds and Trees of North America” Edition, featuring the artwork of Rex Brasher (1869–1960).  

Rex Brasher’s artistic talent, love of nature, technical expertise, and  persistence offer an inspiring story that should be better known by  anyone with an interest in birds, nature, or art. From a young age,  Brasher committed to visiting all of America’s bird species in their natural habitats. He spent a lifetime traveling, collecting notes and drawings, writing personal, insightful descriptions, and painting and re-painting birds.  

By the late 1920s, Brasher — nearly 60 years old — was finally  satisfied with his paintings, and set out to publish a collection of his  work. Unhappy with color printing options at the time, Brasher had the  paintings reproduced in black-and white, then hand-colored all 87,000  pages of the nearly 100 sets of twelve volumes of The Birds and Trees of North America, which he completed in 1932.

Field Notes carefully reproduced some of Brasher's colorful illustrations  for three 3-Packs of Field Notes Ruled Memo Books. Covers are a lovely felt-textured 100#C Mohawk Via “Pure White,” bound by three stainless steel staples. The bodies are 60#T Domtar Lynx Opaque Ultra, ruled with pale gray lines. 

“Pack A” features:
Rocky Mountain and Mexican Screech Owls (Tulip tree)
1915, Volume 6, Plate 373e 373f
Blue Jay (Swamp White Oak)
1911, Volume 8, Plate 477
Brewer Sparrow (Cassie)
1912, Volume 9, Plate 562  

  • Images courtesy of Rex Brasher Association, Inc. ©2024, rexbrasher.org
  • Proudly printed by the good people of Classic Color, Broadview, Ill.
  • Cover: Mohawk Via Felt 100#C “Pure White,” with a 4-color application of process-color soy-based inks. 
  • Innards: Domtar Lynx Opaque Ultra 60#T “White.”
  • Cover and innards printed on a Komori Lithrone G40" 6-color UV printing press.
  • Bound by a  Muller Martini Presto II saddle stitcher with appreciation to Samuel  Slocum, George W. McGill, and William J. Brown, the “Founding Fathers of  the Staple.”
  • Corners precisely rounded to a 3/8" (9.5mm) radius with a Challenge round-corner machine.
  • Ruled lines: 1/4" (6.4mm).
  • Memo book dimensions are 3-1/2" × 5-1/2" (89mm × 140mm).
  • FIELD NOTES uses only the Futura typeface family (Paul Renner, 1927), in collaboration with Monotype.
  • All FIELD NOTES memo books are printed and manufactured in the U.S.A.
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